©   greg   hannan|   hannangregory@gmail.com   902 825 3534 | Nova Scotia  | Canada  

Grants and Awards

2008 Residency Fellowship – Tyrone Guthrie Centre, County Monoghan, Ireland 2006 Residency Fellowship – Tyrone Guthrie Centre Residency Fellowship – National Sculpture Factory, Cork, Ireland 2002 Residency Fellowship – Sirius Arts Centre, Cobh, County Cork, Ireland 1995 National Endowment for the Arts – Int’l Fellowship Est-Nord-Est, Ste. Jean Port Joli, Quebec Adolph and Esther Gottlieb Foundation Grant Pollock-Krasner Foundation Grant 1989 D.C. Commission on the Arts

One-Two Person Exhibitions

2003 Greg Hannan 2000-2002, Signal 66, Washington, D.C. 2000 Commuter, Numark Gallery, Washington, D.C. 1997 An Eclectic Defense, Teplitzky & Scott Fine Art, Cincinnati, Ohio Numark Gallery, Washington, D.C. 1991 Shephard College, Shepherdstown, West Virginia Addison-Ripley Fine Art, Washington, D.C. 1990 Memory, Time and Recognition; Greg Hannan and Sabina Ott, The Corcoran Gallery of Art, Washington, D.C. 1989 Arnold and Porter Collection, Washington, D.C. 1988 Addison-Ripley Fine Art, Washington, D.C. 1986 Narrative Paper, Osuna Gallery, Washington, D.C. 1983 Washington Project for the Arts, Washington, D.C. 1975 Mount St. Vincent University Gallery, Halifax, Nova Scotia 1974 Greg Hannan and Lenord Baskin Jane Haslem Gallery, Washington, D.C.

Group Exhibitions

2010 CATALYST 35 years of Washington Project for the Arts, 1975- 2010 2006 Kunst-Korperlich, Kunsthalle Dominikaner Kirche, Osnabrück, Germany 2005 Works on Paper, Osuma Art, Bethesda, Maryland In Situ, Curator’s Office, Washington, D.C. 2002 Savage/Love, Signal 66, Washington, D.C. The Time Being, 57 Art, Washington, D.C. 2000 Remembering the Present, Kreeger Museum, Washington, D.C. Remembering the Present, Maryland Art Place (MAP), Baltimore, Maryland Objects of Desire, David Adamson Gallery, Washington, D.C. 1999-2000 Outward Bound; American Art at the Brink of the Twenty-first Century, Meridian International Center, Washington, D.C., The Museum of Fine Arts, Hanoi, Vietnam; The Museum of Fine Arts, Ho Chi Minh City, Vietnam; The Painting Institute, Shanghai, China; The People’s Cultural Palace, Bejing, China; The Singapore Museum of Art, Singapore; The CITTA Gallery, Jakarta Art Center, Jakarta, Indonesia
1999 White Collar, Signal 66, Washington, D.C. Sans Titre, The Collection of David Tiplitsky & Peggy Scott, Boulder Museum of Contemporary Art, Boulder, Colorado 1998 Simple Matter, Numark Gallery, Washington, D.C. 1995 Exhibition/Project, Meyerhoff Galary, Maryland Institute College of Art, Baltimore, Maryland Spatial Metaphor, Baumgartner Gallery, Washington, D.C. 1994 Sustainable Art / Sustainable Earth, Desson Howe, Kay Garvey Galleries, Chicago, Illinois Crosscurrents, University of Maryland, College Park, Maryland Art Site 6, McLean Project of the Arts, McLean, Virginia 1991 Reviewing the Critic, Watkins Gallery, American University, Washington, D.C. 1990 Works on Paper, Addison-Ripley Fine Art, Washington, D.C. Kunstraum Installations, Morgan Annex, Washington, D.C The Boat Show, Fantastic Vessels, Fictional Voyages, The Portland Museum of Art, Portland, Maine Washington Artists, Franz Bader Gallery, Washington, D.C. Thirtieth Anniversary Exhibition, Jane Haslem Gallery, Washington, D.C. 1989 Landscape and Beyond, AFR Fine Art, Washington, D.C. 1988 WPA – Ten Years, A Re-dedication, Washington Project for the Arts, Washington, D.C. Artscape ’88, Eric Fischel, juror, Maryland Institute, Baltimore, Maryland 1987 Works on Paper, Jane Haslem Gallery, Washington, D.C. Ten Washington Artists, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina 1986 Painting ’86, Jack Shainman, curator, Arlington Arts Center, Arlington, Virginia 1985 The Washington Show, The Corcoran Gallery of Art, Washington, D.C. 1984 A Celebration of the South, Columbia, South Carolina 1983 Osuna at Schuster, Schuster Gallery, Gannon University, Erie, Pennsylvania 1982 Four Imagists, Howard Fox, curator, Montpelier Arts Center, Laurel, Maryland Hanover, Osuna Gallery, Washington, D.C. 1981 Options, Gene Davis, curator, Washington Project for the Arts, Washington, D.C. 1980 Thirty-Six Hours, Walter Hopps, curator, Museum of Temporary Art, Washington. D.C. 1976-1978 Graphics Atlantic, travelling print and drawing exhibition through ten galleries and museums across Canada
Hannan Greg