The Relationship, 2008 -2016
Brier Island is the last of two islands jutting beyond a
narrow 25 mile long peninsula called The Digby Neck;
beginning West from the port town of Digby in Southwest
Nova Scotia . The peninsula separates Saint Mary's Bay from
The Bay of Fundy as both bodies meet the Atlantic Ocean. and
the Gulf of Maine. When you are on Brier Island's West shore
you know you are 'in' the Atlantic. There is no sight of land in
three directions as the sun sets on a water horizon.
Both Long Island (1st island) and Brier Island had volcanic
births. Their Saint Mary's side (south) boast basalt cliffs roughly
correspondent to both Iceland and Ireland. Their Fundy side
(north) reveal sinks with pockets of solidified lava between
rock ledges segmented with crisscrossing veins of quartz, agate
and iron.
Westport is the name of the village on Brier Island. It
hugs a sheltered crescent harbor just out of the tidal current of
Grand Passage that separates the islands. The ferry distance
across Grand Passage to Freeport, Long Island is roughly a
mile. As to the strength of that current, well.. if you fell into it.
either incoming (high) or outgoing (low) you're likely to have
drifted 10 miles away in an hour's time...
While I'd first moved to Nova Scotia in 1972, wintering
in a shack in the woods some 40 miles inland, I landed on Brier
Island mid summer of 1974 and stayed. Even by Nova Scotia
standards I had literally stepped back in time.. in one of the
last primitive 'outports' in the province. The ferry then was a
40+ foot boat with a wheelhouse and cabin lashed alongside
a steel barge (scow) with ramps at either end..When the water
in the passage was rough the ferry did not run and you were
stuck on either side, sometimes for days, especially in winter.
Alongside the ferry slip/government wharf, one of two
of the islands remaining fish plants reached out over the water,
receiving each boat's catch of pollock, hake, halibut and cod,
and returning in kind the carcasses, entrails and guts to the
currents in the passage to create a chum line for all the
indescribable creatures of the sea to follow. I could sit at night
under the lights of the wharf and watch clouds of herring or
squid bisected by shark, cod and giants I could not identify.
Whales often wandered through the passage: Humpback,
Minke, Fin, some Sperm and even Bowfin whales who
appeared in the autumn and at night you could hear them
squealing when they surfaced. The Milky Way danced
overhead and 'backshore', away from the village the Northern
Lights often broke out close to midnight as winter approached.
I'm from Washington D.C. and I'd seen an ancient hand
crank telephone in a museum case but I'd never used one. The
phone system on the islands consisted of crank phones where
the number of crank rotations identified the party you were
calling, then an operator named Viola would connect you.
People said that Viola listened to your conversation and best
be careful what you said. In order to call the mainland you
had to call Viola and talk to her personally. She was gabby. I
don't remember needing more than four numbers to reach
someone. The islands are sparsely inhabited and surnames are
separated by both water and generational/clan hostilities.
Both the peninsula and the islands, especially the islands have
a rough reputation. These are fishermen, not farmers. And
fishermen are hunters. The Bay of Fundy has the highest tides in
the world which means that the gravitational pulling of the
moon affects this place more than anywhere else on the earth.
Is this true? There have been occasions when I've believed that.
I lived like a rat in a strange place. I bought an old 'fish
shack', smokehouse and pier jutting out over the water from a
fisherman/amateur painter of seascapes before he died of
cancer and squatted in various spaces in the winters, half
freezing/thawing in the wind and ice amidst the dull flickering
window glow of tv sets and the banging of the Esso sign
fronting the general store and bathing in an elderly neighbor's
house. I went through rites of passage, both individually and
collectively, including being rescued while lobstering in winter
as well as having my place nearly washed away with the rest
of the village in the storied Groundhog Storm which struck
southwest Nova Scotia on Groundhog Day in February 2,1976,
destroying many buildings and disfiguring the harbor's
shoreline to the extent that it had to change/be rebuilt with
rock quarried from the island's North shore.
Immigration Canada found me in the late 70's and I was
subsequently deported when I tried to take a job as a
deckhand on a vessel surveying trans Atlantic cable on the
seabed. From then on, up through the '80's, '90's to 2000, my
life on the island was intermittent, still annual, 3-4 months per
year, late summer through autumn. Experiences, as well as
having a huge, famous hound have allowed me to elude being
lumped under the connotation of 'summer folk'.
THE RELATIONSHIP,
2008 - 2016
Walnut
L- 44 1/8" W- 23 1/4" H- 15 1/2"
(112.1 x 52.5 x 39.3 cm.)
Note: This piece requires one more
treatment with tung oil in Spring 2020
Artist collection
I was just "Greg". Most folks never knew my last name.
Still don't. What's the point?
During the '70's the only ship we'd see coming in was
'The Salt Boat', a barely seaworthy vessel that delivered its
cargo to independent fishermen in outports such as this who
dry salted their fish on wooden slats along the shoreline for
the Jamaican market which had existed for a century.
Seagulls were shot and hung like scarecrows on posts to keep
the drying catch unblemeshed for the market.
The late 70's brought a market revolt in the herring industry
and the Grand Manan Islands on the New Brunswick side of
the Bay of Fundy went independent of local fish brokers and
formed "The Herring Club" which brought in these huge, never
maintained, thoroughly rusted Polish hulks that processed on
the open sea the great balls of herring stock for the mother
of pearl from their scales alone, while the meat became
fertilizer.
In the 80's, scallop draggers from outside the region
descended on us, scouring the bottom with their weighted
sleds, disrupting inshore spawning and coming ever closer to
the point of gunfire being exchanged in various locales
between local and visiting boats. At night, a new sight on the
horizon glowed increasingly bright with each year as one
stood on the wild west shore of the island: a city of lights.from
large Spanish and Portugese catch/processing vessels, taking
apart groundfish stocks on the spawning ledges a thirteen
hour 'steam' away.
Canada then established a 200 mile international
boundary in order to pursue and detain these ships, but the
die was cast. Then in the '90's groundfish species specific
quotas were imposed upon inshore fishermen as the stocks
dwindled at their open sea source which eventually led to a
complete moratorium on fishing. Only lobster fishing in winter
sustains the islands, peninsula, and for that matter all four
Maritime Canada Provinces. The 'summer catch' now are
tourists clamoring on either re-purposed Cape Islander fishing
boats or vessels specifically built to the task of taking folks to
see and photograph whales offshore.
At one time in history Westport, Brier Island had a
population of 1,000. In the '80's I conducted a rough census
from the phonebook+ counting children I knew to arrive at a
population count of 375. Today the population consists of
190 souls that call this place home. In summer, tourists more
than quadruple that each day. Some people have learned
how to feed off of tourists.
From the 80's to mid-2000's I've lived a schizophrenic
life, caught between an historically Black DC inner city
neighborhood that was, for more than a decade a site of
carnage during 'The Crack Wars', then rapidly gentrifying -
to this place; undergoing its own inexorable changes.
During the times that I was North, on the island, I often lent my
studio/loft to another artist for work and safekeeping.
In 2007 I returned to Washington to find that one such
individual had left a large, waterlogged 'crotch' trunk of
black walnut in my parking space, probably weighing 300
pounds. I winched it to a concrete pad I'd made for carving in
open space, tarped it and let it dry for a few seaons, then
began to saw off sections of rot and spalt to let it sit again.
It was a few years still before I 'saw' what was inside the
remaining wood: A 60's vintage Cape Islander boat fatally
nosing into a wave. I dedicated '1/2 time' to this piece in
ensuing years working with a weak title in my head: "Coffee
Table Boat" which encapsulated my cynicism of being
surrounded by 'woke' young white city folk concerning the
disappearing fish while at the same time ordering fish on the
menu/buying it at market. When it comes to ocean fish there
is no longer such a thing as a 'sustainable species'.
I crated this unfinished piece to nova Scotia when I
immigrated finally in 2013, now living 80 miles NE of Brier
Island and returned to it after having completed a new home
with studios on farmland I purchased in 1990. I
stopped/gave it up in the Winter of 2015. As with every
work I do, regardless of genre I just have to stop at some
point.
In those last months I was distraught; having: abruptly
lost a relationship with my partner of many years, precisely
the years spanning from 2007 to that moment in 2015. In
these last few years I felt that I had been gnawing at
personal history… carving away at my life. I had.... and I
now have the title: The Relationship.